From April 9 to 12, at the Grand Palais, Art Paris 2026 returns with a new edition where design engages in dialogue with contemporary art. For its second participation, Rinck unveils a scenography conceived as a journey — unfolding as a landscape of objects where furniture, sculpture, and interior architecture interact within an immersive composition.
On the occasion of Art Paris 2026, Rinck presents a scenography inspired by an imagined antiquity and conceived as a landscape. In this interview, Valentin Goux reflects on this approach, on the role of the sculpture La Nuit, and on the way objects come to life within space.
As part of its Opus Memoria collection, Rinck unveils a collaboration with artist Simon Buret: La Nuit, a monumental bronze sculpture on view beneath the iconic glass roof of the Grand Palais during Art Paris.
During Art Paris, we had the opportunity to sit down with Sandy Saad and Jean-Paul Bath. As co-directors of the Le French Design association, they are also the curators behind the exhibition at the Grand Palais and its brand-new section, French Design Art Edition. They shared their vision for this exciting new field.
On the occasion of Art Paris, Rinck dedicates this new edition of its Journal to its participation at the Grand Palais and to the scenography conceived for the event. Inspired by an imagined antiquity, the stand unfolds as a landscape to inhabit, where furniture, sculpture, and interior architecture engage in dialogue within an immersive composition.
At the heart of this space, the Nereus, Amarante, Hébé, and Passage collections respond to one another through a play of materials, lines, and reflections, forming an interior landscape in motion. The sculpture La Nuit, conceived by Simon Buret, occupies a central position — becoming a silent presence around which the gaze is structured.
This edition also gives voice to those who shape this vision of design and the decorative arts. Through an interview with Valentin Goux, the Journal revisits the conception of the stand, the role of art within the house’s practice, and the way objects come to life within space. A conversation with the curators of the French Design Art Edition section, Jean-Paul Bath and Sandy Saad, further enriches this perspective by shedding light on the curatorial context of this edition.
An invitation to move through creation, beneath the glass roof of the Grand Palais, at the rhythm of Art Paris.
Nurtured by 180 years of history, we believe in the perfect mastery of classic ranges, a prerequisite for contemporary design. Our cultivated relationship with the history of the decorative arts is rooted in France's heritage, but resolutely turned towards the world, the meeting of cultures and know-how. Our ambition is to create exceptional interiors that are full of colour, art and life, that blend seamlessly into their surroundings and are perfectly suited to the daily lives of their users.
The creativity of the interior design and decoration studio is born of a profound understanding of the historic languages of ornamentation. This mastery of the classic catalogs and their legacies allows greater freedom in interpreting aesthetic codes. The studio creates contemporary, inspired spaces that resonate fully with their owners. An essential prerequisite to our company’s approach.
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