© Maxime d'Angeac & Martin Darzacq pour Orient Express, Accor - Exterieur

Setting the Dream of the New Orient Express to Music

A hundred years ago, the Art Deco movement marked the height of a distinctly French art of living. Defined by pure lines and sumptuous materials, it sealed an unprecedented dialogue between architecture, decoration, and craftsmanship.
Today, that spirit is reborn on the rails, through a project both technical and poetic: the New Orient Express, orchestrated by Maxime d’Angeac for the Accor group.

This legendary train, steeped in stories and imagination, is not merely returning—it is experiencing a true rebirth.

Rather than replicating the past, Maxime d’Angeac envisions a world that extends its memory. He evokes the great names of the era—from René Prou to Suzanne Lalique—while placing the project firmly within a contemporary vision of travel.
And to bring this dream to life, the designer turned to Rinck, entrusting the creation of the bar and restaurant cars to the Maison’s experts.

The Design Office’s Symphony

Before the first wood panel is cut or the first bronze piece polished, Rinck’s design office takes the stage.
Acting as the project’s true conductor, it coordinates nearly thirty trades and partners: designers, engineers, marquetry specialists, glassmakers, upholsterers, lighting experts, master artisans… all contributing to the creation of a space where every detail finds its place.

At the heart of the workshops, drawings evolve, volumes take shape, and technical constraints are transformed into elegant lines.
The role of the design office is to ensure the perfect balance between aesthetics and feasibility—to translate an idea into reality without ever betraying its spirit.

In the complex context of a railway environment, every element must be conceived with extreme precision: material weight, mechanical resistance, fire safety, temperature variations from -30°C to +50°C, anti-vibration systems, circulation and ergonomics.
Here, creativity expresses itself through precision, and technique becomes a discreet language in service of beauty.

© Maxime d'Angeac & Martin Darzacq for Orient Express, Accor - Bar

© Maxime d'Angeac & Martin Darzacq for Orient Express, Accor - Bar

© Maxime d'Angeac & Martin Darzacq pour Orient Express, Accor - Restaurant

© Maxime d'Angeac & Martin Darzacq pour Orient Express, Accor - Restaurant

A Collective Work

For each project, the design office composes a true score, in which every artisan plays their part.
Detailed plans integrate materials, fastening methods, lighting systems, textures, and finishes. Several exchanges between the workshops and the craftspeople refine each element to ensure perfect harmony.

This constant dialogue—between technical mastery and artistic sensitivity—is the key to Rinck’s unique alchemy.
It requires balancing the decorator’s vision, the artisans’ gestures, and the constraints of a moving environment, while maintaining the fluidity and coherence of a space designed for travel.

From this collaboration emerges a collective work, where hand, eye, and material come together in a shared creative impulse.

“Technology is omnipresent, but you don’t see it. It’s hidden, concealed.”
— Maxime d’Angeac

Maxime D'Angeac © Xavier Antoinet

Maxime D'Angeac © Xavier Antoinet

Hand drawing from Maxime D'Angeac © Xavier Antoinet

Hand drawing from Maxime D'Angeac © Xavier Antoinet

Technical elevation of the bar car of the New Orient Express, produced by Rinck’s design office as part of the project conceived by Maxime d’Angeac for the Accor group

Technical elevation of the bar car of the New Orient Express, produced by Rinck’s design office as part of the project conceived by Maxime d’Angeac for the Accor group

These words resonate throughout the workshops.
Behind the visible beauty of the décor, an invisible world hums with activity: calculations, sketches, assemblies, and adjustments. This is where the silent part of the dream is written—the one the traveler will never see, yet which makes it all possible.

A Dream Mastered

The New Orient Express project is both an engineering feat and an aesthetic adventure.
It draws on the design office’s full range of expertise—anticipation, coordination, planning, and intuition.
Every decision, from the choice of a material to the curve of a detail, is guided by the desire to preserve the coherence of the décor imagined by Maxime d’Angeac.

“It’s much more enjoyable to work only with soloists, because their level of virtuosity means that, if you manage to make them play together, you achieve something truly unique.”
— Maxime d’Angeac

Material mood board

Material mood board

Through this extraordinary endeavor, the Rinck spirit fully expresses itself: that of an ensemblier décorateur capable of uniting the most exceptional crafts around a single vision.
Like an orchestra in which each soloist possesses their own virtuosity, the trades converse and harmonize to create a unified work of art.

Behind the scenes of the train, craftsmanship and technical precision come together to write a new chapter in the Art Deco dream.
A dream in motion—shaped by expert hands, orchestrated by a design office, and destined to carry the imagination as surely as it carries its passengers.

One of the legendary carriages of the Orient Express, photographed during its transfer prior to restoration — a key step toward the rebirth of the legendary train envisioned by Maxime d’Angeac for the Accor group. © Xavier Antoinet

One of the legendary carriages of the Orient Express, photographed during its transfer prior to restoration — a key step toward the rebirth of the legendary train envisioned by Maxime d’Angeac for the Accor group. © Xavier Antoinet

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