From April 9 to 12, at the Grand Palais, Art Paris 2026 returns with a new edition where design engages in dialogue with contemporary art. For its second participation, Rinck unveils a scenography conceived as a journey — unfolding as a landscape of objects where furniture, sculpture, and interior architecture interact within an immersive composition.

On the occasion of Art Paris 2026, Rinck presents a scenography inspired by an imagined antiquity and conceived as a landscape. In this interview, Valentin Goux reflects on this approach, on the role of the sculpture La Nuit, and on the way objects come to life within space.

On the occasion of Art Paris 2026, Rinck has been awarded the FD100 – The French Design 100 Awards, which each year honors projects that contribute to the international influence of French design.

As part of its Opus Memoria collection, Rinck unveils a collaboration with artist Simon Buret: La Nuit, a monumental bronze sculpture on view beneath the iconic glass roof of the Grand Palais during Art Paris.

During Art Paris, we had the opportunity to sit down with Sandy Saad and Jean-Paul Bath. As co-directors of the Le French Design association, they are also the curators behind the exhibition at the Grand Palais and its brand-new section, French Design Art Edition. They shared their vision for this exciting new field.

During Maison & Objet in the City, Rinck unveils Nereus at its Paris gallery, a collection inspired by the depths of the sea, where materials form a seascape, where furnishings become a sensory experience. This ensemble – designed to take you deep into a watery world in motion – explores the interaction of light, undulating water, and marine textures in contemporary designs brought to life through exceptional savoir-faire.

For Bertille Goux, Collection Director at Rinck, Nereus did not originate with an immobile pattern, but with movement. The movement of water, of course, but also that of an open, evolving creative process, fueled by constant dialogue between lines, materials, and savoir-faire.

The Rinck x GSL – E. Rinck collection, presented at Maison & Objet in the City, is on display – arranged to embody a dialogue – at Rinck’s Paris location on Avenue Daumesnil. Period pieces find themselves face-to-face with their contemporary interpretations, heritage mirroring cutting-edge creation, memory reflecting a modern perspective.

After an exciting series of projects, collaborations, and major developments, the year 2025 has drawn to a close for Rinck. It was a year rich with juxtapositions of heritage and contemporary creation, a dialogue expressed in furniture, art, and interior architecture.

In Paris’s Golden Triangle, a 220 sqm Haussmannian apartment — complete with a service room — has regained its rhythm. The brief entrusted to Rinck was not to alter its envelope, but to rethink the very way it is lived in: reorganising functions, refining circulation, and restoring coherence to its uses, without erasing the heritage that forms its fabric.

Nolwenn de Kergommeaux, an exceptional master glassmaker, carries forward an ancestral savoir-faire in her Parisian atelier, Au Passeur de Lumière. Together with her team, she collaborates with Rinck, creating bespoke stained-glass pieces designed specifically for some of our interior architecture projects. Learn more about her craft in this interview.

Rinck’s interior architecture team takes you behind the scenes of their craft. Discover how each project is approached with creativity and dedication, reflecting our commitment to bringing our clients’ visions to life.

This 220-square-metre apartment embodies a way of living in which heritage naturally aligns with modernity, where sophistication remains discreet, and where luxury is expressed through precision rather than ostentation. It is a reimagined Parisian interior — soft, quiet, timeless — carrying Rinck’s signature: interior architecture that elevates material, structures light, and tells a story through precise, sensitive décors.

Stately, splendid, and swathed in Parisian elegance, this 400 square meter Haussmannian apartment overlooks the Faubourg Saint-Honoré neighborhood.

A hundred years ago, the Art Deco movement marked the height of a distinctly French art of living. Defined by pure lines and sumptuous materials, it sealed an unprecedented dialogue between architecture, decoration, and craftsmanship.
Today, that spirit is reborn on the rails, through a project both technical and poetic: the New Orient Express, imagined by Maxime d’Angeac for the Accor group. And to bring this dream to life, the designer turned to Rinck as the project's conductor, entrusting the creation of the bar and restaurant cars to the Maison’s experts.
Now on display in Paris through the exhibition “1925–2025: One Hundred Years of Art Deco” at the Musée des Arts Décoratifs.

On one side, Valentin Goux, President and Artistic Director of Rinck; on the other, John Whelan, founder of the London studio The Guild of Saint Luke, renowned for his subtle reinterpretations of decorative heritage.
From their encounter emerged a creative dialogue, a conversation between Paris and London, past and present, wood and metal.

Born from a creative dialogue between Rinck and The Guild of Saint Luke, this collection offers a modern yet respectful reinterpretation of 1930s Art Deco furniture. Each piece revisits a historic silhouette, infused with bold materials — lacquered wood, brushed metal, high-gloss finishes — while preserving the original sense of balance. A meeting of heritage and avant-garde, conceived for the present.

Leafing through the guide to the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes – the International Exhibition of Modern Decorative and Industrial Arts – is a very pleasant journey indeed, one that takes you through space and time.

For its second appearance at the Monaco Yacht Show in 2025, Rinck unveils Nereus, a capsule furniture collection inspired by the marine world. Flowing lines, luminous textures, and exceptional craftsmanship come together to create distinctive pieces designed to stand the test of time.

In the shadows of the Parisian workshops, threads are stretched, intertwined, and made to capture the light. Since 1873, Maison Hurel has carried on the delicate art of haute couture embroidery. With Rinck, it marks a meeting where ancestral gestures converse with new inspirations — a story that Martin Hurel shares in this interview.

Following the Paris unveiling of La Nuit, Rinck is proud to introduce Le Jour, a new sculptural piece by the French artist Simon Buret, during the upcoming edition of What’s New, What’s Next at the New York Design Center.

Rinck unveils the recent transformation of its showroom at the New York Design Center. Conceived as a living gallery, the space embodies the dialogue between furniture, art, and exceptional craftsmanship, and exclusively presents Le Jour, a sculpture created in collaboration with French artist Simon Buret.

As part of its Opus Memoria collection, Rinck unveils a collaboration with artist Simon Buret: La Nuit, a monumental bronze sculpture on view beneath the iconic glass roof of the Grand Palais during Art Paris.

In this joint interview, the artists Simon Buret and Valentin Goux, President and Artistic Director of Rinck, reflect on their first encounter, the inspirations that shaped their collaboration, and the artistic and technical choices that led to the creation of La Nuit — a sculptural work emblematic of the Opus Memoria collection. A conversation in two voices, where poetry meets craftsmanship, echoing the spirit of this singular piece.

With Simon Buret’s poetic, sculptural work entitled La Nuit, Rinck brings another singular creation into the fold of its Opus Memoria collection. This monumental bronze sculpture aligns with an artistic approach specific to this collection: imagining the fictional legacy of a multidisciplinary creator expressed through exceptional pieces in which arts, materials, and narratives intersect.

Bringing La Nuit to life took months of dialogue—between sculpture, material, and flame. This film follows the creation of the piece from clay to bronze, unveiling the intricate, spectacular world of fine art foundry work.

In April 2025, Rinck returns to the Grand Palais for the contemporary art fair, Art Paris. For this 27th edition, Art Paris introduces several new features, including a section dedicated to contemporary design in limited editions. Valentin Goux, President and Artistic Director of Rinck, shares insights into the exceptional pieces showcased on the balconies of the Grand Palais. He also reflects on the century-old history of Rinck and the Grand Palais, an iconic venue where the house has always displayed its creations.

During Art Paris, we had the opportunity to sit down with Sandy Saad and Jean-Paul Bath. As co-directors of the Le French Design association, they are also the curators behind the exhibition at the Grand Palais and its brand-new section, French Design Art Edition. They shared their vision for this exciting new field.

Rinck marks its return to the Grand Palais during Art Paris with an iconic piece reimagined: the TR73. First presented in 1973 at the Salon National des Beaux-Arts, this chair has been given a fresh update. Staying true to its avant-garde design, it is now reimagined with an environmentally conscious twist. Gone is the original Altuglas, replaced by recycled plexiglass – an evolution that reflects Rinck's commitment to eco-responsible design.

For over a century, art and interior design fairs have served as vital venues for ensembliers décorateurs, providing incomparable showcases for displaying their style and savoir-faire. These major events – bringing together designers, creators, artisans, and artists, recognizing talent and setting the trends of each era – have shaped the very history of design and furnishings.

Bertille Goux, designer at Rinck, discusses the research work on materials and finishes, revealing the behind-the-scenes of creation. Between aesthetic ambitions and technical constraints, she shares her ongoing dialogue with the workshops' artisans, their expertise, and their ability to bring our vision to life. An exploration of the subtle balance between innovation and craftsmanship, where each finish becomes a signature.

This collection, the consequence of a dialogue between savoir-faire and innovation, combines the refinement of top-quality materials with a visionary design that will elegantly adapt to contemporary spaces. Every detail was studied with care and concern to produce sustainable furniture that is as functional as it is beautiful.

For nearly two centuries, since its founding in 1841, Rinck has been the embodiment of artisanal excellence, flawlessly dovetailing time-honored tradition and cutting-edge invention. The company’s history is deeply rooted in exceptional craftsmanship, while ever keeping pace with changes in tastes, technologies, and the demands of the day.

In 2025, Rinck unveils its new furniture collection, Opus Memoria – an artistic exploration inspired by the vision of an illusory demiurge creator whose entire existence was devoted to accumulating works. Each piece embodies the imagination of an ingenious and multifacted artist working in the realms of music, painting, and sculpture, leaving behind a wake of unique artistic “totems.”

Valentin Goux, President and Artistic Director of Rinck, takes us on a journey to discover the Opus Memoria collection.

Discover the work of the ceramist Pauline Krähenbühl, who contributed to the creation of the Opus Memoria side table.

Located in the heart of Paris, in the Faubourg Saint-Honoré district, this apartment, nestled within a Haussmannian building, embodies the timeless elegance of Parisian architecture.

The renovation project involved a complete reconfiguration of the interior space, seamlessly blending the updated elements of a classic apartment with the selection and bespoke creation of contemporary furnishings.

Nolwenn de Kergommeaux, an exceptional master glassmaker, preserves an ancestral craft in her workshop, Au Passeur de Lumière.

Stately, splendid, and swathed in Parisian elegance, this 400 square meter Haussmannian apartment overlooks the Faubourg Saint-Honoré neighborhood.

Beyond the fortifications of medieval Paris, one of the world’s most elegant urban districts was about to emerge from a swampy tract of land. The history of the Faubourg Saint-Honoré is, in and of itself, a synopsis of the birth and establishment of a lifestyle at once refined and rational, a stylish art de vivre to which greater Paris adheres to this day.

In the world of artistic creation, drawing holds a central place. It is the starting point of every work, a visual language that transcends materials to bring imagination to life. In this video series, explore how drawing, in all its forms, guides the transformation of spaces and objects.

Ornament was a divisive subject in the 20th century, rejected by the modern movement as a sign of decadence, while considered by traditionalists to be a lingua franca uniting the realms of architecture and decoration. This debate has since been pushed aside by architectural post-modernism and contemporary – and deliberately eclectic – interior decoration. Let us look back upon a notion that is as old as humanity itself.

Rinck introduces a hand-painted silk wallcovering: Fromental by Rinck “The Classicist Sketchbook", with the prestigious hand-painted and hand-embroidered wallcoverings company Fromental. Watch Valentin Goux and Lizzie Deshays disccuss their first collaboration.

In September 2024, Rinck is opening a new millwork and cabinetry design and engineering department based in Paris and Bourg-de-Péage, specializing in the interior-outfitting of hotel and restaurant projects.

The finest hotels of Paris, the embodiment of French luxury since the 19th century, symbolize both contemporary sophistication and rare refinement. They have played host to the world’s most celebrated travelers. Rinck’s archives hold precious records of projects done for some of the greatest names in French hospitality.

The Rinck interior architecture and design agency took on a captivating, challenging project: transforming a care-worn Burgundian hotel, the Château de Saulon, into a top-quality boutique hotel. And that challenge was met, as the property – now completely renovated inside and out – was awarded a fourth Michelin star as soon as it reopened.

Rinck has crafted the interior architecture at the Maïence gourmet restaurant in Strasbourg. The marine ambiance features subtle lighting that underscores the establishment's culinary focus on fish and vegetables, prepared by three-Michelin-star chef Gilles Goujon. Rinck created the Corian-topped central buffet with a walnut structure and base of hammered brass.

Shaped by both history and work organization, our conceptions of the office are constantly evolving. Hortense Leluc, decoration and design journalist, and Anne Bony, design historian, invite us into their respective studies and share their perspectives on these environments.

Imagined as an ensemble for a home office, Amarante includes a desk, a chair, a rug, an ottoman, a daybed, a bookcase and two columns.

The fabrics are part of the first collection of textiles designed by Rinck - edited by Maison Thevenon.

Armoires and cupboards, tables and chairs, sofas and beds : Of all the furniture handed down to us by history, the piece that is surely the most powerfully linked to the evolution of society is the desk. The reasons for this are clear when we recall this object’s primary purpose : writing.

In 2024, Rinck turned 183. Nearly two centuries of history that have seen an ever-increasing number of projects. It goes without saying that the company has designed and produced an incalculable number of desks during this time. Let’s look at just of few of them, those that are perhaps the most emblematic.

Designed as a complete ensemble for a home office, watch the creation of the Amarante collection.

How can one succinctly describe what makes a decoration and interior architecture agency unique? Is it a specific style? This is often the case, but the term falls short.

Rinck’s interior architecture team takes you behind the scenes of their craft. Discover how each project is approached with creativity and dedication, reflecting our commitment to bringing our clients’ visions to life.

If there’s one subject that’s often unclear to many new clients, it’s this: How does an interior architecture and design project actually unfold? Where does the interior architect’s responsibility end and where does the responsibility begin for the various companies working onsite to actually make the project a reality? What are the creative development phases?

Gouged wood, an ancient woodcarving technique, has left an indelible mark on the world of furniture, interior architecture, and millwork, particularly during the Art Deco period.

Immerse yourself in the captivating universe of Atelier Midavaine with Anne Midavaine, who shares the fascinating history of this house founded in 1930. Inheriting an ancestral tradition of cellulose lacquer, the workshop embodies both the craftsmanship of yesteryear and contemporary innovation.

Matthieu de Penfentenyo - Site Manager, Rinck Furniture Workshop - reveals the secrets of Art Deco veneers. Explore precious wood species and their manufacturing techniques.

Leafing through the guide to the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes – the International Exhibition of Modern Decorative and Industrial Arts – is a very pleasant journey indeed, one that takes you through space and time.

The many forms of savoir-faire mastered by the artisans at Rinck make it possible for them to incorporate precious materials when crafting custom furniture and executing outfitting projects.

Galerie Rinck at 18 rue de Beaune in Paris displays the company’s contemporary creations and features a private reception lounge for clients.

Enter the world of illustrator and watercolorist Morgane Guerry, through her two collaborations with Rinck. From painting a ceiling to creating an original folding screen, Morgane reveals an artistic process where limits are often made to be pushed, questioned and finally transcended.

A space meant to hold the contemporary collections created by our in-house design studio, a setting that embodies Rinck’s creative DNA: inspired, elegant, inventive.

To mark the opening of the new Galerie Rinck, our furniture-design teams have created some remarkable pieces made especially to furnish the private lounge area at the rear of the space

The artist Arnold d'Alger, founder of the Bazar d'Alger, presents in a video of the ornamentation work he did for the mantelpiece in Galerie Rinck.

The Galerie Rinck, a veritable showcase for our furniture designs, displays some of our finest savoir-faire, trades that are among the most emblematic in French decorative arts.

A series of six textiles, designed by Rinck and edited by Maison Thevenon.

The Palm Beach Atelier is a collaborative space, a concept initiated by architect and interior designer Sarah Magness.

Architect and interior designer Sarah Magness talks about the creation of the Palm Beach Atelier.

Amélie Chappedelaine, Project Manager at Rinck, tells us about the work carried out by our millwork workshop on the collaborative showroom the Palm Beach Atelier.

Rinck introduces a hand-painted silk wallcovering: Fromental by Rinck “The Classicist Sketchbook", with the prestigious hand-painted and hand-embroidered wallcoverings company Fromental. Watch Valentin Goux and Lizzie Deshays disccuss their first collaboration.

A series of six textiles, designed by Rinck and edited by Maison Thevenon.